Interactive effects and sound recording function.
ALBUM FLOW IPHONE MOVIE
Rotate & pinch photos to cut it into your favorite shape.Īdd effects & background music, enable smart fading out function.ĭozens of themes are available, more themes will be continuously added.Įxport HD movie to iPhone’s camera roll, or save to your computer. Preview your modification at any time as you wish.
Unlimited digital albums & personalized cover image, title, theme and music.
ALBUM FLOW IPHONE PROFESSIONAL
View album lists in professional & beautiful Cover flow style. Just drag and drop!ĭrag & drop to build a personalized photo movie in few minutes. Dozens of themes are available for you to choose from, to make a personalized digital album. With the option to add background music, drag & drop your favorite music from the music library on your iPhone.
You can also preview the photo movies at any time, or even export the HD video to iPhone’s camera roll or your computer. You can save and modify the albums as many times as you wish. AlbumGo enables you to add themes, effects, frames and music to your photos to express your creativity or moods. File creation is very easy, you just have to import photos into the interface, with drag & drop and generate the album. You can play them on your iPhone, or computers. With a little finesse and better sequencing, it could’ve been greater than the sum of its parts.VideoAlbum enables you to turn your photos into attractive digital albums, or photo movies. But beneath the technicolor pileup lies some of Rico’s most vicious (“Vaderz,” “Gotsta Get Paid”) and most sensitive (“Skullflower,” “Easy”) material yet. Jumbled presentation can dull the impact of even the most sincere music, and Rico’s skill and imagination can’t save songs like “Black Punk” and “Dance Scream” from the filler bin. Transitions between songs can be stilted and awkward-the saccharine bubbliness of “Phuckin Lady” doesn’t flow into the metallic thump of “One on 5” and the “Jungle” remix has no business being the divider between the project’s two halves. The magnetic pull that held together Rico’s previous work feels less powerful. Las Ruinas’ best songs are sincere and heartfelt, regardless of genre, but it’s also the most unwieldy project of Rico’s career to date. They’re measured, pensive, and achingly intimate-firsts for any Rico Nasty song. Neither song features any rapping instead, they lean on Rico’s soft singing voice for a lament about a past relationship with a manipulative partner and a touching ode to her 7-year-old son Cameron, respectively. But “Easy” and closing track “Chicken Nugget,” in particular, strip away the bells and whistles to create two of the most tender moments in Rico’s catalog. The put-downs and shit talk on the first half of the project disappear, giving way to a doomed love story told through bouts of electro-pop and grungy rap-rock that are raw at their best (“Into the Dark”) and fluffy and indistinct at their worst (“Focus on Me”). Right after her solid but unnecessary remix of electronic producer Fred again.’s “Jungle,” Las Ruinas’ tone shifts drastically. Las Ruinas is effectively split into two halves-the first one harsher, the second one softer-that have so little to do with each other sonically and thematically, they almost feel like separate EPs smashed together at the last minute. These slight deviations and tweaks to Rico’s formula are predictably tight, but the bolder experiments are a mixed bag.
Recent versions of iOS can also optionally use this field to group tracks in the artist listings on the iPhone, iPod touch and iPad. This is used primarily for grouping and sorting of tracks, particularly in the Grid and Cover Flow views. The duo, along with producers 18YOMAN and MXXWLL, use slinky drums and twangy synths-including a classic “dwoink” sound effect-to bridge the gap between rap bravado and Scooby-Doo: “Ain’t in my lane, what the fuck is you drivin’ for?/Pedal to the floor, they hatin’ because they bored.” For single-artist albums, it is usually either blank or will be the same as the Artist field for the track. Rico devours the scenery on standout track “Gotsta Get Paid,” which reunites her with Dylan Brady of 100 gecs. On “Vaderz,” Rico and guest Bktherula thrash their way through Ben10k, Danes Blood, and Dirty Dave’s 8-bit siren and craterous drums. The first half of Las Ruinas continues to pit her patented rage raps against the wildest beats she can find. Whatever you may think of her last few projects, particularly her last proper album Nightmare Vacation, her ability to host so many sounds without them dissolving into a mess is impressive. Its variety is overwhelming in every sense of the word. Half the fun of a Rico Nasty project is seeing what spaces she’ll squeeze her vocals into next, and Las Ruinas skews wider and weirder than before. Even by Rico’s own grand standards, Las Ruinas-which she’s gone out of her way to label a “mixtape” and not an album-stretches her talents to their breaking point.
But after the success of Nasty, the alter egos became less useful as Rico began to embrace newfound stardom: Her musical and emotional range are elastic no matter what name she’s using. At the outset, Rico compartmentalized her interests into personae like the softer, melodic Tacobella and the more aggressive Trap Lavigne.
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